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Laurencin built an important graphic production focused on etchings and woodcuts
inextricably linking his name to the nightlife of Montmartre
Affiche avant la lettre created for the master's exhibition at the Kléber gallery in Paris
so each element represented in the sea is a symbol of this present strongly anchored to the past:
Perfect impression printed on Rives paper in a total of 150 copies
GALLI FEDERICA, Il tiglio nostrano di Sant’Orsola, 1996 sculture Laurencin built an important graphicBeautiful print proof in a total of 90 copies from the art printing house LIncisione Corbetta. Perfect preservation with wide untrimmed margins. Bibliography M. Fragonara, Federica Galli. General Catalog 1954 2003, Bellinzona, n. 679
