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a new vocabulary can be assembled: a collection of semantic artifacts rendered in binary patterns of light and shadow
The typeface is designed in reference to the thermal printing process (think expiration dates) which tends to merge individual dots into horizontal lines when it is applied across an object
publication and series of public events
image-centric book
as well as the extreme banality of supposedly extraordinary situations
New York: 1962–1964 Philippe Parreno a new vocabulary can beCharting the three momentous years in which New York became the global capital of art The radical cultural transformations that occurred in New York in the three years between January 1962 and December 1964 ramified across the world. In addition to a whole host of creative innovations across disciplines, the period also saw a shift in the center of artistic gravity from Europe to the United States and the rise of a new leadership in the artscurators,
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