Yorgos Lanthimos: Dear God, the Parthenon is still broken winter24 undoing and redoing with no

undoing and redoing with no predetermined endpoint

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in dialogue with many other areas of inquiry such as gender and cultural studies

Over the next twenty-three years

Yorgos Lanthimos: Dear God, the Parthenon is still broken winter24 undoing and redoing with noDear God, the Parthenon is still broken is a photographic vignette by Yorgos Lanthimos. Although created on the set of the film Poor Things in Budapest, the book inhabits a separate world, untethered from time and place. The photographs drift between black and white and colour, giving the impression of a waking dream between past and present, whilst multiple layers between reality and fiction are gradually revealed. The film was set in various late